Artist Focus: Louise J. Bourgeois

I had the very good fortune of visiting the Metropolitan Museum of Art this past Saturday. While I was there I took in the exhibit of Louise Bourgeois paintings. They were full of unimaginable forms. It closes August 7, 2022 so if you’re able you should pop by this week and head to gallery 913. But if you can’t here are a few images I captured.

I did a bit of research and here’s a brief overview of the artist. Louise Joséphine Bourgeois December 25, 1911 – May 31, 2010 was a French-American artist. Although she is best known for her large-scale sculpture and installation art. She was also a prolific painter and printmaker. She explored many themes over her career including: the body, death, family, feminism and sexuality. Her work is Abstract Expressionism.

Her parents owned a gallery selling antique tapestries - and a workshop for restoration. Louise worked on the tapestries filling in areas of missing design.

In 1930, she entered the La Sorbonne - Université to study mathematics a subject she valued for stability, saying "I got peace of mind, only through the study of rules nobody could change." After her mother passed away in 1932 Louise changed her course of study to art graduating in 1935. Her father thought modern artists were wastrels and refused to support her, so she joined classes where translators were needed for American students and received tuition free. She continued her art study in Paris, first at the École des Beaux-Arts and École du Louvre and in 1938, she opened her own gallery in a space next door to her father’s tapestry gallery where she showed the work of artists such as Eugène Delacroix, Henri Matisse and Suzanne Valadon. This is where she met her husband Robert Goldwater - an American professor who taught at New York University. They settled in New York City and together raised 3 sons. They remained married until Robert’s death in 1973.

Throughout her life she created works finding inspiration from her own life experiences. She held her first solo show in 1945. In 1951 she became an American citizen. In 1954 she became part of the American Abstract Artists Group. At this time she was also friendly with artists Willem de Kooning, Mark Rothko and Jackson Pollock. She has been quoted to say "My work deals with problems that are pre-gender," she wrote. "For example, jealousy is not male or female." With the rise of feminism, her work found a wider audience becoming an icon of the feminist art movement.

In 1973 she started teaching at the Pratt Institute, Cooper Union, Brooklyn College and the New York Studio School of Drawing, Painting and Sculpture. From 1974 - 1977, Bourgeois worked at the School of Visual Arts in New York. She also taught for many years in the public schools in Great Neck, Long Island.

Louise received her first retrospective in 1982 at the Museum of Modern Art in New York City. In 1989 there was another retrospective at Documenta 9 in Kassel, Germany. In 2000 her works were selected to be shown at the opening of the Tate Modern in London. In 2001, she showed at the Hermitage Museum.

She continued to create until her death, her last pieces being finished the week prior to her passing in May 2010.

The very best days are days spent admiring art and artifacts at the Met! I was thrilled to explore galleries I had never visited!

It’s incredibly inspiring to take in new things!

Til next time be well.

Sources: Google, The Guardian and Wikipedia.

Spirit and Flow

A few months ago I started working on piece of art for the Chalet livingroom - I had painted before and I knew I wanted to buy a canvas and just see what happened. I was inspired by my friend the artist and ceramist Elena Boiardi - when she installed a new piece in the family room of her home and every member of the family took to the work and added their own stamp. While that was the plan here at the Chalet it did not work out that way - I ended up being the lone artist and I embraced the process.

Spirit and Flow hangs on the wall behind the couch.

Spirit and Flow hangs on the wall behind the couch.

Previously I worked with Great Big Canvas and received this wonderful piece a reproduction canvas print of the Vincent van Gogh work Acacia in Flowers, 1890. While I love it - I felt it was too small for the space. It currently hangs in our diningroom and I really love it there.

empty wall

empty wall

in process

in process

An interesting thing happened during this process - I started painted it from both directions… Yes, when I started there was definitely a top and a bottom but, then I questioned the orientation - the balance of the piece and I went to my friend Elena and shared the work with her because she is a multi-media trained artist and I’m not. So with her support and amazing feedback the painting was flipped and I picked up the brush again with a different mindset.

After the work was finished I still couldn’t decide - possibly because of nerves - maybe because I was over analyzing… so after polling my husband, family and friends - on a lark I took to Instagram stories and asked which way people liked it better. The feedback was remarkable. I was blown away by what people said they saw. It was really such a great exchange and felt so heartfelt.

In the end the art hangs as it shown here on the right. I love it!

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I’m currently starting to organize the basement (for the 5th time in as many years) and I want to set up a permanent area to paint! I’ll keep you posted!

Til next time my friends be well!

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